Why “Get Out” Deserves to Win Best Picture at This Year’s Oscars

It’s been a little over year since Jordan Peele’s smash hit took the world by storm. On a budget of $4.5 million, the film grossed an astounding $255 million at the worldwide box office. Now it’s nominated for four Academy Awards in what has been a strong awards season and to put it lightly, the nominations are more than just deserving. “Get Out” should easily win the Oscar for Best Picture of the Year.

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“The Post” – Movie Review

“The Post,” dir. Steven Spielberg

A cover-up that spanned four U.S. Presidents pushed the country’s first female newspaper publisher, Kate Graham of The Washington Post, and its hard-driving editor, Ben Bradlee, to join an unprecedented battle between journalist and government in publishing the Pentagon Papers.

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“Phantom Thread” – Movie Review

“Phantom Thread,” dir. Paul Thomas Anderson

Set in the glamour of 1950’s post-war London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma, who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

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“The Shape of Water” – Movie Review

“The Shape of Water,” dir. Guillermo Del Toro

An other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda discover a secret classified experiment.

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“Call Me By Your Name” – Movie Review

“Call Me By Your Name,” dir. Luca Guadagnino

It’s the summer of 1983 in the north of Italy, and Elio Perlman , a precocious 17- year-old young man, spends his days in his family’s 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia. Elio enjoys a close relationship with his father, an eminent professor specializing in Greco-Roman culture, and his mother Annella, a translator, who favor him with the fruits of high culture in a setting that overflows with natural delights. While Elio’s sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver, a 24 year-old American college graduate student working on his doctorate, arrives as the annual summer intern tasked with helping Elio’s father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

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“Three Billboards Outside Ebbing, Missouri” – Movie Review

“Three Billboards Outside Ebbing, Missouri,” dir. Martin McDonagh

After months have passed without a culprit in her daughter’s murder case, Mildred Hayes makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby, the town’s revered chief of police. When his second-in-command Officer Dixon, an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

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